![]() ![]() I’m sure you’ve been in a scenario where you’re editing log footage and the client asks you why it looks gray. The frequency response of a rode NTG3 shotgun mic. Which is larger? Which is more important? I know what Hitchcock would say… ![]() 24 frames per second or 96 THOUSAND audio samples per second. I don’t care if Roger Deakins lit your commercial and Tom Poole color graded it If it sounds like garbage, I don’t want to watch it. Credit ĭaVinci Resolve possesses a slew of audio plugins in their Digital Audio Workstation that can really sweeten up your dialog tracks and make your videos come to life. ![]() Chances are you’ll want to do some post-production work like EQ and compression so that your sound emphasizes the story.Ĭhances are you’d like to do this all in the same program.Įnter DaVinci Resolve. They’re super high-fidelity, super clear, and super easy to get a great sound even on a budget. Chances are you’ll want to do some post-production like color correction and VFX work so that your image emphasizes the story. They’re super high resolution, super sharp, and super easy to get a filmic look even on a budget. DaVinci Resolve Quick Tips: Voice Sweetening with Fairlight By Ross Papitto ![]()
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